{
    "title": "Binta Diaw, Paysage Corporel XIV",
    "spectacletype": "xpa-expo",
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    "company": "Binta Diaw",
    "frshortpresentation": "Dans le cadre de l'exposition «Soil Art Tales. Living Ecosystems for Shared Futures», sous le commissariat de Stefano Cagol,\r\norganisée par le Global Network of Water Museums (WAMU+NET) et développée au sein du SoilTribes, financé par Horizon Europe.",
    "angshortpresentation": "Part of the exhibition \"Soil Art Tales. Living Ecosystems for Shared Futures\", curated by Stefano Cagol,\r\norganised by the Global Network of Water Museums (WAMU+NET) and developed within the Horizon Europe-funded project SoilTribes.",
    "frpresentation": "L’œuvre de Binta Diaw opère une fusion visuelle entre le corps humain et la terre. Le corps y entremêle création, espace et imaginaire, nous permettant ainsi de nous définir et de nous situer.\r\nDe la terre — évoquant la terre nourricière et la subsistance — émergent des sculptures en cheveux synthétiques qui célèbrent la tresse comme une forme de communication culturelle et de résistance propre aux populations afro-descendantes. Ces tresses adoptent la forme de mangroves, faisant écho à la métaphore du poète et philosophe martiniquais Édouard Glissant pour illustrer l’enchevêtrement du global et du local, ainsi que la notion de diaspora et de dispersion consécutive au départ de la terre d’origine.\r\nL’œuvre rappelle par ailleurs l’importance capitale des éléments naturels, même au sein de notre société hyper-technologique. Telles des racines, les tresses pénètrent le sol, reliant le passé au présent  déconstruisant les stéréotypes — notamment ceux associés au corps féminin noir.",
    "angpresentation": "Binta Diaw’s work creates a visual fusion between the human body and soil, prompting multiple reflections on our connection to it. The body intertwines creation, space, and the imaginary, through which we can identify and place ourselves.\r\nFrom the soil, which evokes ideas of motherland and subsistence, emerge sculptures made with synthetic hair that celebrate braiding as an Afrodescendent form of cultural communication and resistance. The braids assume the shape of mangroves, referencing a metaphor used by Martinican poet and philosopher Édouard Glissant to represent global-local entanglements and the notion of diaspora, and dispersion after leaving the motherland.\r\nFurthermore, it recalls the crucial relevance of natural elements, even in our hyper-technological society. Braids penetrate the soil as roots, connecting the past to the present, deconstructing stereotypes, such as those behind the female black body, and creating new imaginaries.",
    "frcartel": "Binta Diaw, \"Paysage Corporel XIV, naître au monde c’est Concevoir (vivre) enfin le monde comme relation\", 2025, installation en techniques mixtes, terre, cheveux artificiels, photographie, dimension environnementale\r\n\r\nDans le cadre de l'exposition «Soil Art Tales. Living Ecosystems for Shared Futures», sous le commissariat de Stefano Cagol,\r\norganisée par le Global Network of Water Museums (WAMU+NET) et développée au sein du SoilTribes, financé par Horizon Europe.\r\n\r\nDe la terre émergent des sculptures en cheveux synthétiques qui célèbrent la tresse comme une forme de communication culturelle et de résistance propre aux populations afro-descendantes. Ces tresses adoptent la forme de mangroves, faisant écho à la métaphore du poète et philosophe martiniquais Édouard Glissant pour illustrer la notion de diaspora consécutive au départ de la terre d’origine. Telles des racines, reliant le passé au présent  déconstruisant les stéréotypes — notamment ceux associés au corps féminin noir.",
    "angcartel": "Binta Diaw, \"Paysage Corporel XIV, naître au monde c’est Concevoir (vivre) enfin le monde comme relation\", 2025, mixed media installation, soil, artificial hair, photograph, environmental dimension\r\n\r\nPart of the exhibition \"Soil Art Tales. Living Ecosystems for Shared Futures\", curated by Stefano Cagol,\r\norganised by the Global Network of Water Museums (WAMU+NET) and developed within the Horizon Europe-funded project SoilTribes. \r\nBinta Diaw’s work creates a visual fusion between the human body and soil. From the soil, which evokes ideas of motherland and subsistence, emerge sculptures made with synthetic hair that celebrate braiding as an Afrodescendent form of cultural communication and resistance. The braids assume the shape of mangroves, referencing a metaphor used by Martinican poet and philosopher Édouard Glissant to represent global-local entanglements and the notion of diaspora, and dispersion after leaving the motherland.",
    "dates": "- \n  date: 2027-02-04 10:00:00\n  lieu: Grenoble Fine Art Museum\n  tarifsoverride: \"\"\n  hexagonetagsoverride: \"\"\n  urlmapado: \"\"\n  partenairesoverride: [ ]\n  moreinfosoverride: [ ]",
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    "nationality": "Italienne",
    "associateartist": "",
    "associateresearcher": "",
    "associatebusiness": "",
    "associateother": "",
    "associatepartenersorcoproduction": "Global Network of Water Museums (WAMU+NET)\r\nHorizon Europe-funded project \"SoilTribes. Glocal Ecosystems Restoring Soil Values, Roles and Connectivity\"",
    "coproduction": "Serralves Foundation in Porto (Portugal), Villa Altieri – Città Metropolitana di Roma (Italy), Posavski Muzej Brežice (Slovenia), the National Gallery of Bulgaria in Sofia (Bulgaria), Milanowskie Centrum Kultury (Poland), and Castel Belasi – Contemporary Art Center for Eco Thought (Italy)",
    "contactslist": "- \n  contacttype: principal\n  contactname: Stefano Cagol\n  socialaddress: info@stefanocagol.com\n  phone: \"+393397054512\"\n  mobile: \"+393487081417\"",
    "selectedemailtemplate": "formulaire-xpa-expo-lien",
    "reminderemailcount": "0",
    "site_web": "https:\/\/www.watermuseums.net\/campaigns\/soil-art-tales\/",
    "youtube": "https:\/\/vimeo.com\/1173951669?fl=pl&fe=cm",
    "instagram": "https:\/\/www.instagram.com\/iambintadiaw",
    "facebook": "https:\/\/www.facebook.com\/stefanocagol\/",
    "sociallinks": "https:\/\/www.instagram.com\/soiltribes, https:\/\/www.instagram.com\/wamunet, , https:\/\/www.instagram.com\/stefano_cagol\nhttps:\/\/www.facebook.com\/wamunet, https:\/\/www.facebook.com\/stefanocagol\/",
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    "programtags": "XPA-expo",
    "genretags": "Arts Visuels",
    "thematiquetags": "Société, Nature",
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    "status": "v2-correction",
    "spectacleid": "202627-067",
    "formsubmitted": "false",
    "statushistory": "[2026-08-19 12:08:07] Copie automatique de v1-bruts vers v2-correction avant envoi du mail",
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    "lastmodifieddate": "2026-09-24 12:59:19",
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    "uuid": "3c8b352d45b2f566ed25e42b",
    "socialname": "Stefano Cagol",
    "socialaddress": "info@stefanocagol.com",
    "phone": "+393397054512",
    "mobile": "+393487081417",
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}